This painted montage of portraits of Chrysler CEO Sergio Marchionne was actually assembled as an idea for a portrait study in the summer of 2012 when I was working only in vector. The plan was to do a painting in acrylics. I picked up the rough comp in 2013 and created this finished illustration. The goal was to convey his dynamic personality and the non-stop nature of his daily life as the head of both Fiat and Chrysler.
Why The Beautiful Line?
A site dedicated to the art of drawing and painting, The Beautiful Line is an open forum for the sharing of information and inspiration about the drawing and rendering process in digital and traditional media.
This blog is created for all those who share a love of drawing and are enticed by the potential of a blank piece of paper, canvas, or board to create a unique work of art. This space is dedicated to the open sharing of information and experiences concerning drawing. Included here are tutorials on drawing and rendering a variety of subjects in easily accessible media.
Why the Beautiful Line? As a long time professional illustrator, artist, and instructor, I still believe that the most powerful tool for image making is the simple pencil, pen, or brush. In an era of fantastic advances in digital arts with the power to create new worlds of amazing realism, the pencil drawing remains an exquisitely elegant tool for expressing thoughts and ideas. With this in mind, I view it as a personal mission as an instructor to encourage students to draw their ideas first, before developing concepts within a software program.
Tuesday, April 15, 2014
Chrysler CEO Sergio Marchionne
This painted montage of portraits of Chrysler CEO Sergio Marchionne was actually assembled as an idea for a portrait study in the summer of 2012 when I was working only in vector. The plan was to do a painting in acrylics. I picked up the rough comp in 2013 and created this finished illustration. The goal was to convey his dynamic personality and the non-stop nature of his daily life as the head of both Fiat and Chrysler.
Digital Painting: 1968 Pontiac Tempest
1968 PONTIAC TEMPEST

Digital Painting: Auburn 8 120 Boat-Tail Speedster
1929 AUBURN 8 120 BOAT-TAIL SPEEDSTER
Digital Painting: 1965 Pontiac Tempest GTO
1965 PONTIAC TEMPEST GTO
Just finished the next painting in my American Muscle Cars series. I am exploring different levels of simplicity in the backgrounds. This painting is the first to include actual textures made by me with gesso and modeling paste.
Digital Painting: 1971 Buick Riviera 1
1971 BUICK RIVIERA
This high view is another angle of the same Buick Riviera rear view already posted. I was experimenting with an overlay of a watercolor wash when this quite meditative looking image emerged. I like to emphasize the lines of the car in my paintings much as the catalogue shots did back in the 1970s.
Digital Painting: 1971 Buick Riviera 2
1971 BUICK RIVIERA
This Classic Riviera with the huge wing shaped rear bumper filled my camera's image area when I snapped a picture at the Woodward Dream Cruise. Detroit loved chrome, and so do I as a an artist. I am working on paintings from several angles for this car. Amazingly, I almost passed it up as a subject but turned around and walked back to take a few pictures.
Digital Painting: 1967 Pontiac GTO
1967 PONTIAC GTO
Digital Painting: Buick Estate Wagon
1946 BUICK ESTATE WAGON
I am working on a series of car paintings based on selected photos I have taken over the last several years. I am thinking of marketing them at shows along with paintings of Detroit area landmarks. My goal is to achieve a fully painted look using Photoshop and Painter. This painting was created as a mixture of painted strokes and filters. I hope the effect will be of a timeless moment where sun and shadow have combined beautifully.
















